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            <title>
									Guide to Developing a Practice Session - Guitar Noise Lessons				            </title>
            <link>https://guitarnoise.forum/guitar-noise-lessons/guide-to-developing-a-practice-session/</link>
            <description>Guitar Noise Discussion Board</description>
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                        <title>Re: I&#039;m very puzzled about your article</title>
                        <link>https://guitarnoise.forum/guitar-noise-lessons/guide-to-developing-a-practice-session/#post-370451</link>
                        <pubDate>Sat, 19 Nov 2011 01:45:30 +0000</pubDate>
                        <description><![CDATA[Hey kido, Maybe you could answer me a few questions about your article?Okay - I think I got what the CAGED format is - This is what I&#039;m using now.The 1st Major scale pattern, is the one whos...]]></description>
                        <content:encoded><![CDATA[Hey kido, <br>Maybe you could answer me a few questions about your article?<br><br>Okay - I think I got what the CAGED format is - This is what I'm using now.<br>The 1st Major scale pattern, is the one whose root is the same as a C-type chord played on it. The 2nd pattern is the one whose root is the same as an A-type chord played on it. The 4th one is the same as a E-type chord. The 3rd and 5th are ones you can play G-type and D-type chords - though these chords are usually too tough for guitarists to play anyway - so lets just leave them be as the 3rd and 5th pattern of Major scales.<br><br>Anyway - I still can't understand what's your system... Can you perhaps explain to me, in as much layman terms as possible, what is exactly the 3 fingering possibilites. You write: "These are the fingers you start each scale with"<br>Though I guess I misunderstand you, because I know that to play, say - a C-major scale in the 3rd pattern, starting from the 5th fret of the 6th string, you would start with the 1st, 3rd and 4th fingers...
<CODE><i>
</i>5:A|---|---|---|---|-1-|---|-3-|-4-|---|---|
6:E|---|---|---|---|-1-|---|-3-|-4-|---|---|
</CODE>

I can't really understand what's tetrachords are, and the charts make very little since to me - how do you start reading them?<br><br>Maybe your piece was a bit too advance for me, but I would appriciate it, if you or someone else could clear this up for me.<br><br>Thanks...

its 11.18.2011 and i came upon the article, have tried to follow along, even got the "guitar cookbook, pp5" to help along with the diagrams. i'm like this poster, having a hard time following the finger position exercises. the "cookbook" does show three fingering possibilities for any tetrachord played on adjacent strings -- kinda helps but kinda doesnt.]]></content:encoded>
						                            <category domain="https://guitarnoise.forum/guitar-noise-lessons/">Guitar Noise Lessons</category>                        <dc:creator>U34Km</dc:creator>
                        <guid isPermaLink="true">https://guitarnoise.forum/guitar-noise-lessons/guide-to-developing-a-practice-session/#post-370451</guid>
                    </item>
				                    <item>
                        <title>RE: Guide to Developing a Practice Session</title>
                        <link>https://guitarnoise.forum/guitar-noise-lessons/guide-to-developing-a-practice-session/#post-156155</link>
                        <pubDate>Thu, 02 Feb 2006 13:48:14 +0000</pubDate>
                        <description><![CDATA[Alex asks:
Hi all, just a quick question; in the practice schedule at the bottom of the article, there&#039;s a lot about the circle of 5ths. I&#039;m not really sure what this is (I&#039;ve read some of t...]]></description>
                        <content:encoded><![CDATA[Alex asks:
Hi all, just a quick question; in the practice schedule at the bottom of the article, there's a lot about the circle of 5ths. I'm not really sure what this is (I've read some of the lessons on the subject) apart from its something to do with chords. In his warm exercises it says 'practice chromatic scales through circle of fifths'; what does this mean? Confused<br><br>Thanks<br>Alex

David answers:
Hi Alex<br><br>One of the cool things about music is that you can find a lot of repetitive patterns in it. The "circle of fifths" is one of the interesting relationships of musical notes, and chords and keys as well.<br><br>Say you're in the key of C, the fifth of C is G. Now let's go on from there:<br><br>The fifth of C is G<br><br>The fifth of G is D<br><br>The fifth of D is A<br><br>The fifth of A is E<br><br>The fifth of E is B<br><br>The fifth of B is F#<br><br>The fifth of F# is C#<br><br>(and C# is the same note as Db, so let's continue on in flats...)<br><br>The fifth of Db is Ab<br><br>The fifth of Ab is Eb<br><br>The fifth of Eb is Bb<br><br>The fifth of Bb is F<br><br>And the fifth of F is C.<br><br>We've come back where we started from and we hit all twelve of the chromatic notes while doing so.<br><br>So if you're practicing a particular scale in C, then pratice it in G, then in D, etc. and you'll eventually have hit every possible variation of that particular scale. This is a good thing to do with riffs as well.<br><br>Hope this helps.<br><br>Peace

Alex responds:
Very helpful; thanks<br><br>Alex<br>(Just cleaning up a duplicate thread -- remember to avoid these!)]]></content:encoded>
						                            <category domain="https://guitarnoise.forum/guitar-noise-lessons/">Guitar Noise Lessons</category>                        <dc:creator>Musenfreund</dc:creator>
                        <guid isPermaLink="true">https://guitarnoise.forum/guitar-noise-lessons/guide-to-developing-a-practice-session/#post-156155</guid>
                    </item>
				                    <item>
                        <title>practice session</title>
                        <link>https://guitarnoise.forum/guitar-noise-lessons/guide-to-developing-a-practice-session/#post-79553</link>
                        <pubDate>Mon, 13 Dec 2004 14:48:00 +0000</pubDate>
                        <description><![CDATA[have read article and found two mistakes. the first was the ionian (major) should be these tetrachords = major + major, and the lydian should be = lydian + major. However have found the mist...]]></description>
                        <content:encoded><![CDATA[have read article and found two mistakes. the first was the ionian (major) should be these tetrachords = major + major, and the lydian should be = lydian + major. However have found the mistake meant that I had to really study and work through the examples , which is no bad thing. so cheers to kiddo for info/help.]]></content:encoded>
						                            <category domain="https://guitarnoise.forum/guitar-noise-lessons/">Guitar Noise Lessons</category>                        <dc:creator>malcster</dc:creator>
                        <guid isPermaLink="true">https://guitarnoise.forum/guitar-noise-lessons/guide-to-developing-a-practice-session/#post-79553</guid>
                    </item>
				                    <item>
                        <title>RE: Guide to Developing a Practice Session</title>
                        <link>https://guitarnoise.forum/guitar-noise-lessons/guide-to-developing-a-practice-session/#post-72572</link>
                        <pubDate>Wed, 13 Oct 2004 15:32:28 +0000</pubDate>
                        <description><![CDATA[Wow havent been here for a while, Im working on something special. We&#039;ll see how it goes.Kido]]></description>
                        <content:encoded><![CDATA[Wow havent been here for a while, Im working on something special. We'll see how it goes.<br><br><br><br>Kido]]></content:encoded>
						                            <category domain="https://guitarnoise.forum/guitar-noise-lessons/">Guitar Noise Lessons</category>                        <dc:creator>Call_me_kido</dc:creator>
                        <guid isPermaLink="true">https://guitarnoise.forum/guitar-noise-lessons/guide-to-developing-a-practice-session/#post-72572</guid>
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				                    <item>
                        <title>RE: Guide to Developing a Practice Session</title>
                        <link>https://guitarnoise.forum/guitar-noise-lessons/guide-to-developing-a-practice-session/#post-71365</link>
                        <pubDate>Fri, 01 Oct 2004 22:44:05 +0000</pubDate>
                        <description><![CDATA[Hey guys,Ive already submitted two finished articles twice as thorough as the one currently on the main page, and I havent even gotten a response. To me that says Im just annoying the higher...]]></description>
                        <content:encoded><![CDATA[Hey guys,<br><br>Ive already submitted two finished articles twice as thorough as the one currently on the main page, and I havent even gotten a response. To me that says Im just annoying the higher powers here, and I can accept that. I can go back to reading and posting small responses to the million questions here at this little corner of the guitar conversation community<br><br>Kido.

Why don't you publish these articles here on the forum? <br>Or, if you're really ambitious, and up to it, (and willing to spend a lot of time and get no pay) create a website incoroporating all the material you've gathered (of charts and grids and what not)...<br><br>Just a friendly comment...]]></content:encoded>
						                            <category domain="https://guitarnoise.forum/guitar-noise-lessons/">Guitar Noise Lessons</category>                        <dc:creator>TRMcCoy</dc:creator>
                        <guid isPermaLink="true">https://guitarnoise.forum/guitar-noise-lessons/guide-to-developing-a-practice-session/#post-71365</guid>
                    </item>
				                    <item>
                        <title>I&#039;m very puzzled about your article</title>
                        <link>https://guitarnoise.forum/guitar-noise-lessons/guide-to-developing-a-practice-session/#post-71364</link>
                        <pubDate>Fri, 01 Oct 2004 22:38:04 +0000</pubDate>
                        <description><![CDATA[Hey kido, Maybe you could answer me a few questions about your article?Okay - I think I got what the CAGED format is - This is what I&#039;m using now.The 1st Major scale pattern, is the one whos...]]></description>
                        <content:encoded><![CDATA[Hey kido, <br>Maybe you could answer me a few questions about your article?<br><br>Okay - I think I got what the CAGED format is - This is what I'm using now.<br>The 1st Major scale pattern, is the one whose root is the same as a C-type chord played on it. The 2nd pattern is the one whose root is the same as an A-type chord played on it. The 4th one is the same as a E-type chord. The 3rd and 5th are ones you can play G-type and D-type chords - though these chords are usually too tough for guitarists to play anyway - so lets just leave them be as the 3rd and 5th pattern of Major scales.<br><br>Anyway - I still can't understand what's your system... Can you perhaps explain to me, in as much layman terms as possible, what is exactly the 3 fingering possibilites. You write: "These are the fingers you start each scale with"<br>Though I guess I misunderstand you, because I know that to play, say - a C-major scale in the 3rd pattern, starting from the 5th fret of the 6th string, you would start with the 1st, 3rd and 4th fingers...
<CODE><i>
</i>5:A|---|---|---|---|-1-|---|-3-|-4-|---|---|
6:E|---|---|---|---|-1-|---|-3-|-4-|---|---|
</CODE>

I can't really understand what's tetrachords are, and the charts make very little since to me - how do you start reading them?<br><br>Maybe your piece was a bit too advance for me, but I would appriciate it, if you or someone else could clear this up for me.<br><br>Thanks...]]></content:encoded>
						                            <category domain="https://guitarnoise.forum/guitar-noise-lessons/">Guitar Noise Lessons</category>                        <dc:creator>TRMcCoy</dc:creator>
                        <guid isPermaLink="true">https://guitarnoise.forum/guitar-noise-lessons/guide-to-developing-a-practice-session/#post-71364</guid>
                    </item>
				                    <item>
                        <title>RE: Guide to Developing a Practice Session</title>
                        <link>https://guitarnoise.forum/guitar-noise-lessons/guide-to-developing-a-practice-session/#post-70499</link>
                        <pubDate>Fri, 24 Sep 2004 17:28:08 +0000</pubDate>
                        <description><![CDATA[Hey guys,First off, Jeremy thanks for your post. Ive received many similar emails and the such in the last month or so that were very supportive and kept me going through some difficulties i...]]></description>
                        <content:encoded><![CDATA[Hey guys,<br><br><br>First off, Jeremy thanks for your post. Ive received many similar emails and the such in the last month or so that were very supportive and kept me going through some difficulties in exchanging information. <br><br>Im not pissed off with GN, people think I am, but I suppose its just this internet barrier we have in communicating this way. Cant read someone who you cant see and converse with in my opinion. I know the things I keep being told.<br><br>"We don't get payed to moderate/administer here."<br><br>"We have lives outside of this forum/ things to do."<br><br>"These things take time."<br><br>"Editing/publishing is a difficult/slow process."<br><br>"The owners of this forum pay out of their pockets so we can have a place to converse on the things we love. Guitar and music."<br><br><br>These things are all very true. Ive never once questioned any of them. I actually love coming here, because I sit at work bored all day and study music. Thats all I do, 8 hours a day. I collect pictures, quotations, theories, information, texts and diagrams. I go home and put them into practical application, and share with others what I can.<br><br>Unfortunately, although publishing and editing does take a long time, so does typing up one of these peices along with hand made diagrams. Do you have any idea how long it takes to  <I>Create</I> an article like the ones Ive made? Im not a litterary expert, or a grammatical one at that (not even sure if thats a word). But I know what I want to say and how to say it.<br><br>Ive already submitted two finished articles twice as thorough as the one currently on the main page, and I havent even gotten a response. To me that says Im just annoying the higher powers here, and I can accept that. I can go back to reading and posting small responses to the million questions here at this little corner of the guitar conversation community, and keep to myself (as much as I can). Im sure Ill get bored with it and move onto something else, and until then Ill enjoy staying in contact with all the great people here.<br><br>I hope this explains my position. My desire to help people and share common knowledge is important and very exhausting. Im tired of being tired from this.<br><br>Dont forget...I dont get paid for this either. <br><br><br><br><br>Kido.]]></content:encoded>
						                            <category domain="https://guitarnoise.forum/guitar-noise-lessons/">Guitar Noise Lessons</category>                        <dc:creator>Call_me_kido</dc:creator>
                        <guid isPermaLink="true">https://guitarnoise.forum/guitar-noise-lessons/guide-to-developing-a-practice-session/#post-70499</guid>
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				                    <item>
                        <title>RE: Guide to Developing a Practice Session</title>
                        <link>https://guitarnoise.forum/guitar-noise-lessons/guide-to-developing-a-practice-session/#post-70324</link>
                        <pubDate>Wed, 22 Sep 2004 18:40:35 +0000</pubDate>
                        <description><![CDATA[I teach, research and publish for a living.  In my profession, turn around time on an article once it&#039;s been accepted ranges from 18 to 24 months.  Getting the article accepted and respondin...]]></description>
                        <content:encoded><![CDATA[I teach, research and publish for a living.  In my profession, turn around time on an article once it's been accepted ranges from 18 to 24 months.  Getting the article accepted and responding to the constructive critiques of outside reviewers and revising the piece is a long process in its own right that doesn't count toward that 18 to 24 month process.  By contrast, what happens here on Guitar Noise seems to happen at the speed of light.  It's frankly a compliment that outside readers take an author's work seriously enough to read it, check it, and critique it.  It may seem slow, but it isn't really.  And, as Nick suggests, we all volunteer here too and contribute what little we can to making this site a good resource.  I'm glad everyone takes the time to do the work they do and that they all give generously of their time.]]></content:encoded>
						                            <category domain="https://guitarnoise.forum/guitar-noise-lessons/">Guitar Noise Lessons</category>                        <dc:creator>Musenfreund</dc:creator>
                        <guid isPermaLink="true">https://guitarnoise.forum/guitar-noise-lessons/guide-to-developing-a-practice-session/#post-70324</guid>
                    </item>
				                    <item>
                        <title>RE: Guide to Developing a Practice Session</title>
                        <link>https://guitarnoise.forum/guitar-noise-lessons/guide-to-developing-a-practice-session/#post-70321</link>
                        <pubDate>Wed, 22 Sep 2004 17:49:34 +0000</pubDate>
                        <description><![CDATA[If only this was what any of us did for a living.  Heck if only we got paid anything at all.  As it is we all do what we can when we can.I&#039;ll ask about your update.]]></description>
                        <content:encoded><![CDATA[If only this was what any of us did for a living.  Heck if only we got paid anything at all.  As it is we all do what we can when we can.<br><br>I'll ask about your update.]]></content:encoded>
						                            <category domain="https://guitarnoise.forum/guitar-noise-lessons/">Guitar Noise Lessons</category>                        <dc:creator>Nick Torres</dc:creator>
                        <guid isPermaLink="true">https://guitarnoise.forum/guitar-noise-lessons/guide-to-developing-a-practice-session/#post-70321</guid>
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				                    <item>
                        <title>RE: Guide to Developing a Practice Session</title>
                        <link>https://guitarnoise.forum/guitar-noise-lessons/guide-to-developing-a-practice-session/#post-70315</link>
                        <pubDate>Wed, 22 Sep 2004 16:13:12 +0000</pubDate>
                        <description><![CDATA[Hiya Kido,Sounds like you are pissed off with GN at the moment. The site has been quiet the last couple of weeks. I do know that Dave Hodge has been offline a while because his mother died, ...]]></description>
                        <content:encoded><![CDATA[Hiya Kido,<br><br>Sounds like you are pissed off with GN at the moment. <br><br>The site has been quiet the last couple of weeks. I do know that Dave Hodge has been offline a while because his mother died, and I seem to remember Paul in Beijing is busy with some filming project, so I don't think they have been able to concentrate on this site much. Heaven knows I also can't even read it like I used to with my first year of fatherhoood!<br><br>Please don't lose heart. Comply with whatever they ask with respect to format. I found your article extremely interesting and am trying to decipher it on the German undergraound train every day!<br><br>BTW I recall something of the tetrachord system explained on Olav Torvund's website for the Blues, I may be wrong.<br><br>Jeremy.]]></content:encoded>
						                            <category domain="https://guitarnoise.forum/guitar-noise-lessons/">Guitar Noise Lessons</category>                        <dc:creator>jeremy</dc:creator>
                        <guid isPermaLink="true">https://guitarnoise.forum/guitar-noise-lessons/guide-to-developing-a-practice-session/#post-70315</guid>
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