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									Keeping accoustics sounding like accoustics - Live Sound				            </title>
            <link>https://guitarnoise.forum/live-sound/keeping-accoustics-sounding-like-accoustics/</link>
            <description>Guitar Noise Discussion Board</description>
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                        <title>Re: Keeping accoustics sounding like accoustics</title>
                        <link>https://guitarnoise.forum/live-sound/keeping-accoustics-sounding-like-accoustics/#post-54911</link>
                        <pubDate>Wed, 08 Oct 2003 20:36:10 +0000</pubDate>
                        <description><![CDATA[what i find works better than all of those is a lavalier radio mic clipped to the edge of the sound hole]]></description>
                        <content:encoded><![CDATA[what i find works better than all of those is a lavalier radio mic clipped to the edge of the sound hole]]></content:encoded>
						                            <category domain="https://guitarnoise.forum/live-sound/">Live Sound</category>                        <dc:creator>wailingalleycat</dc:creator>
                        <guid isPermaLink="true">https://guitarnoise.forum/live-sound/keeping-accoustics-sounding-like-accoustics/#post-54911</guid>
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				                    <item>
                        <title>Re: Keeping accoustics sounding like accoustics</title>
                        <link>https://guitarnoise.forum/live-sound/keeping-accoustics-sounding-like-accoustics/#post-54910</link>
                        <pubDate>Wed, 01 Oct 2003 16:51:03 +0000</pubDate>
                        <description><![CDATA[Let&#039;s not forget the mixing desk - keeping all the levels flat can help keep the sound normal.A :-)]]></description>
                        <content:encoded><![CDATA[Let's not forget the mixing desk - keeping all the levels flat can help keep the sound normal.<br><br>A :-)<br>]]></content:encoded>
						                            <category domain="https://guitarnoise.forum/live-sound/">Live Sound</category>                        <dc:creator>Alan Green</dc:creator>
                        <guid isPermaLink="true">https://guitarnoise.forum/live-sound/keeping-accoustics-sounding-like-accoustics/#post-54910</guid>
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				                    <item>
                        <title>Re: Keeping accoustics sounding like accoustics</title>
                        <link>https://guitarnoise.forum/live-sound/keeping-accoustics-sounding-like-accoustics/#post-54909</link>
                        <pubDate>Tue, 30 Sep 2003 23:24:14 +0000</pubDate>
                        <description><![CDATA[Most acoustic guitar pickups don&#039;t sound like the guitar that you are playing... and using a mic to get the sound is a pain.I don&#039;t mean this to sound like a commercial, but I had the L.R. B...]]></description>
                        <content:encoded><![CDATA[Most acoustic guitar pickups don't sound like the guitar that you are playing... and using a mic to get the sound is a pain.<br><br>I don't mean this to sound like a commercial, but I had the L.R. Baggs i-Beam active pickup installed in my acoustic a couple of years ago and it sounds just like my guitar... only amplified.<br><br>K &amp; K Sounds has a interesting system as well, that based on their promotional CD, sounds pure.]]></content:encoded>
						                            <category domain="https://guitarnoise.forum/live-sound/">Live Sound</category>                        <dc:creator>jonnyt</dc:creator>
                        <guid isPermaLink="true">https://guitarnoise.forum/live-sound/keeping-accoustics-sounding-like-accoustics/#post-54909</guid>
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				                    <item>
                        <title>Re: Keeping accoustics sounding like accoustics</title>
                        <link>https://guitarnoise.forum/live-sound/keeping-accoustics-sounding-like-accoustics/#post-54908</link>
                        <pubDate>Tue, 30 Sep 2003 17:05:34 +0000</pubDate>
                        <description><![CDATA[I use a single mic pointing towards the soundhole, but I&#039;ve heard of others using a second mic pointing at the neck - to get the fret noise, I guess.A :-)]]></description>
                        <content:encoded><![CDATA[I use a single mic pointing towards the soundhole, but I've heard of others using a second mic pointing at the neck - to get the fret noise, I guess.<br><br>A :-)<br>]]></content:encoded>
						                            <category domain="https://guitarnoise.forum/live-sound/">Live Sound</category>                        <dc:creator>Alan Green</dc:creator>
                        <guid isPermaLink="true">https://guitarnoise.forum/live-sound/keeping-accoustics-sounding-like-accoustics/#post-54908</guid>
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				                    <item>
                        <title>Re: Keeping accoustics sounding like accoustics</title>
                        <link>https://guitarnoise.forum/live-sound/keeping-accoustics-sounding-like-accoustics/#post-54907</link>
                        <pubDate>Tue, 30 Sep 2003 13:56:25 +0000</pubDate>
                        <description><![CDATA[Pardon me I didn&#039;t read that stage part. Still, using a good mic at some distance will ad some of that woody feel to your mix. The pickup still is useful though. Try doing a gig without it. ...]]></description>
                        <content:encoded><![CDATA[Pardon me I didn't read that stage part. Still, using a good mic at some distance will ad some of that woody feel to your mix. The pickup still is useful though. Try doing a gig without it. I almost guarantee your techie will ask you to plug back in.  Instead of using a compressor try using a limiter. It will allow you to bring up the guitar in the mix without sacrificing dynamics too much.]]></content:encoded>
						                            <category domain="https://guitarnoise.forum/live-sound/">Live Sound</category>                        <dc:creator>hueseph</dc:creator>
                        <guid isPermaLink="true">https://guitarnoise.forum/live-sound/keeping-accoustics-sounding-like-accoustics/#post-54907</guid>
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				                    <item>
                        <title>Re: Keeping accoustics sounding like accoustics</title>
                        <link>https://guitarnoise.forum/live-sound/keeping-accoustics-sounding-like-accoustics/#post-54906</link>
                        <pubDate>Tue, 30 Sep 2003 13:50:03 +0000</pubDate>
                        <description><![CDATA[If you&#039;re in a studio with a controlled environment why not just use mics? A lot of the sound you want to hear comes from the room itself. Use a reasonable quality Large diaphragm condensor ...]]></description>
                        <content:encoded><![CDATA[If you're in a studio with a controlled environment why not just use mics? A lot of the sound you want to hear comes from the room itself. Use a reasonable quality Large diaphragm condensor (of course a neuman u47 would be ideal). Place it at about 2-4 feet away and add it to the mix to taste.  I would mic the guitar itself with an AKG C414 toward the soundhole and a pencil mic directed toward the fretboard to catch some of the string noise.  It's a tried and true way to get a natural sounding acoustic.]]></content:encoded>
						                            <category domain="https://guitarnoise.forum/live-sound/">Live Sound</category>                        <dc:creator>hueseph</dc:creator>
                        <guid isPermaLink="true">https://guitarnoise.forum/live-sound/keeping-accoustics-sounding-like-accoustics/#post-54906</guid>
                    </item>
				                    <item>
                        <title>Re: Keeping acoustics sounding like acoustics</title>
                        <link>https://guitarnoise.forum/live-sound/keeping-accoustics-sounding-like-accoustics/#post-54905</link>
                        <pubDate>Sat, 27 Sep 2003 13:33:12 +0000</pubDate>
                        <description><![CDATA[I&#039;ve experimented from everything from having a under the bridge pickup, a sound hole pickup, even put a mic inside the guitar, and a external mic all at the same time. just to see what I co...]]></description>
                        <content:encoded><![CDATA[I've experimented from everything from having a under the bridge pickup, a sound hole pickup, even put a mic inside the guitar, and a external mic all at the same time. just to see what I could come up with.<br><br>I like using compression and a effect unit with a little chorus and delay set somewhere between 22ms and 38ms.<br><br>Joe]]></content:encoded>
						                            <category domain="https://guitarnoise.forum/live-sound/">Live Sound</category>                        <dc:creator>forrok_star</dc:creator>
                        <guid isPermaLink="true">https://guitarnoise.forum/live-sound/keeping-accoustics-sounding-like-accoustics/#post-54905</guid>
                    </item>
				                    <item>
                        <title>Keeping accoustics sounding like accoustics</title>
                        <link>https://guitarnoise.forum/live-sound/keeping-accoustics-sounding-like-accoustics/#post-1288</link>
                        <pubDate>Sat, 27 Sep 2003 02:06:45 +0000</pubDate>
                        <description><![CDATA[I have played live for some time using variousin-hole pickups, and have played other instrumentsusing factory installed systems.  I like them for themost part . . .  put i miss that pure acc...]]></description>
                        <content:encoded><![CDATA[I have played live for some time using various<br>in-hole pickups, and have played other instruments<br>using factory installed systems.  I like them for the<br>most part . . .  put i miss that pure accoustic sound.<br>So i went out and got one of those short-stands<br>with the short boom, and slipped in a directional<br>mic, aimed it at the soundhole at some 10 - 12 inches,<br>and at the same time using the pickup and processor<br>system to enhance the mic'd sound rather than<br>dominate it.  Got the idea from a Jeff Beck article<br>i read recently.  It works, although the board-techs<br>at some of the places i play roll their eyes at the<br>idea of some guy using both mic AND pickup.  <br><br>Aww. <br><br>I have used the mic alone, kinda like returning to<br>my roots, when that's all i used at all, but i DO like<br>the idea of putting a slight shape on the accoustic<br>sound when i want to.  <br><br>Anyone out there have ideas/ techniques they use<br>on live stage to keep their accoustics sounding like<br>real wood and steel/ cat-gut?  I know some players<br>use mics set at different distances for dimensional<br>effects.<br><br>( i play a duet/ trio combo with very light percussion,<br>mostly coffee-house type stuff, Cat Stevens/ J.M.Talbot<br>genre. Small venues, 300 seat max. )<br><br>-gary]]></content:encoded>
						                            <category domain="https://guitarnoise.forum/live-sound/">Live Sound</category>                        <dc:creator>Anonymous</dc:creator>
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