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									Some funky tubes in my Fender HRD - Live Sound				            </title>
            <link>https://guitarnoise.forum/live-sound/some-funky-tubes-in-my-fender-hrd/</link>
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                        <title>RE: Some funky tubes in my Fender HRD</title>
                        <link>https://guitarnoise.forum/live-sound/some-funky-tubes-in-my-fender-hrd/#post-124850</link>
                        <pubDate>Wed, 14 Sep 2005 03:13:19 +0000</pubDate>
                        <description><![CDATA[DennisOh, and when you went out of the Pre-Amp Out on your original HRD into the Power Amp In on the new HRD, then you WERE using the power tubes on amp#2. You were not using the PreAmp sect...]]></description>
                        <content:encoded><![CDATA[Dennis<br><br>Oh, and when you went out of the Pre-Amp Out on your original HRD into the Power Amp In on the new HRD, then you WERE using the power tubes on amp#2. You were not using the PreAmp section of amp#2. And because amp#2 has these low power substitutions, that is why you were not getting volume.<br><br>Also, make sure to get an EXACT match. A 6L6G tube is not the same as a 6L6GC. So check to get the <B>exact </B>correct tubes.]]></content:encoded>
						                            <category domain="https://guitarnoise.forum/live-sound/">Live Sound</category>                        <dc:creator>Wes Inman</dc:creator>
                        <guid isPermaLink="true">https://guitarnoise.forum/live-sound/some-funky-tubes-in-my-fender-hrd/#post-124850</guid>
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                        <title>RE: Some funky tubes in my Fender HRD</title>
                        <link>https://guitarnoise.forum/live-sound/some-funky-tubes-in-my-fender-hrd/#post-124848</link>
                        <pubDate>Wed, 14 Sep 2005 03:10:34 +0000</pubDate>
                        <description><![CDATA[DennisAccording to the Hot Rod Deluxe manual, the stock HRD comes with three Groove Tubes GT12AX7 preamp tubes (the little tubes) and two Groove Tubes GT6L6B power tubes (the big tubes). Her...]]></description>
                        <content:encoded><![CDATA[Dennis<br><br>According to the Hot Rod Deluxe manual, the stock HRD comes with three Groove Tubes GT12AX7 preamp tubes (the little tubes) and two Groove Tubes GT6L6B power tubes (the big tubes). <br><br>Here is a detailed article about which tubes you can and cannot use on the HRD. This is from the Unofficial Hot Rod Deluxe Owner's Guide.<br><br><a href="http://studentweb.eku.edu/justin_holton/bias.html#tubes">http://studentweb.eku.edu/justin_holton/bias.html#tubes</a><br><br>If that link doesn't take you to the right place then click on Modifications and then click on Installing Different Power Tubes. <br><br>One thing that is surprising is that Justin at the HRD site says the GT6L6B tubes have had a lot of problems and does not recommend them in the HRD. Justin recommends 6L6GC power tubes. I think that is great advice. <br><br>Yeah, it sounds like the previous owner installed power tubes that brought down the power of your HRD significantly. I would replace those. In fact, I am surprised those tubes haven't caused problems for the amp. <br><br>According to Justin at the HRD site (very knowledgeable), the best power tube that will not present problems for the HRD is the 6L6GC tube. This is what I have in my HRD.  I have never had a problem and my amp is SUPERLOUD. <br><br>I would put 12AX7s back in the preamp section. I have JJ ECC83Ss in my HRD. These are a direct substitution for the 12AX7. <br><br>Get the right tubes in that amp as soon as possible. You might also check the bias (read about that at the HRD site). It is easy to do with a meter, took me about 10 minutes total. But if you are not confident with electronics, take it to a amp tech. But read the article first, it is truly easy to do and safe if you take basic precautions. <br><br>Let us know how it comes out.]]></content:encoded>
						                            <category domain="https://guitarnoise.forum/live-sound/">Live Sound</category>                        <dc:creator>Wes Inman</dc:creator>
                        <guid isPermaLink="true">https://guitarnoise.forum/live-sound/some-funky-tubes-in-my-fender-hrd/#post-124848</guid>
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                        <title>RE: Some funky tubes in my Fender HRD</title>
                        <link>https://guitarnoise.forum/live-sound/some-funky-tubes-in-my-fender-hrd/#post-124845</link>
                        <pubDate>Wed, 14 Sep 2005 02:50:08 +0000</pubDate>
                        <description><![CDATA[That Electron tube is a 12AV7. The 5814 is a 12AU7 equivalent. They&#039;ll both plug-in swap for a 12AX7 but have much lower gain, the 12AU7 has a LOT lower gain. Harp players do that because cr...]]></description>
                        <content:encoded><![CDATA[That Electron tube is a 12AV7. The 5814 is a 12AU7 equivalent. They'll both plug-in swap for a 12AX7 but have much lower gain, the 12AU7 has a LOT lower gain. Harp players do that because crystal mics put out way more voltage than magnetic guitar pckups and will badly overload a guitar amp. They have a lot of trouble with feedback with full gain guitar amps. If you like to play very clean you may like the sound of that with a guitar, but you won't be able to overdrive it like you can with the 12AX7s in it. KT66s are similar to 6L6s.]]></content:encoded>
						                            <category domain="https://guitarnoise.forum/live-sound/">Live Sound</category>                        <dc:creator>Ricochet</dc:creator>
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                        <title>Some funky tubes in my Fender HRD</title>
                        <link>https://guitarnoise.forum/live-sound/some-funky-tubes-in-my-fender-hrd/#post-11677</link>
                        <pubDate>Wed, 14 Sep 2005 01:29:12 +0000</pubDate>
                        <description><![CDATA[I&#039;ve been lugging a small amp and other stuff to practices on Friday nights.  It was killing me to do that week after week so I bought another music stand, extension cord reel, and surge pro...]]></description>
                        <content:encoded><![CDATA[I've been lugging a small amp and other stuff to practices on Friday nights.  It was killing me to do that week after week so I bought another music stand, extension cord reel, and surge protector outlet strip to leave at practice.  That helped but  I was still bringing and taking my junk amp with it's whopping 6â€ speaker.  I've always hated the sound of that amp and leave it in the back seat of my car (with the doors unlocked) hoping someone would steal it.<br><br>Hasn't happened yet so I bought a second Fender Hot Rod Deluxe from a harmonica player about an hour from here.  I got home that Sunday and set up my original blonde HRD and my new black HRD up on stands in my garage.  I set up all my equipment and played for about an hour standing outside the garage.<br><br>My original blonde HRD has some modifications to the tone controls,  a Jensen P12N Alnico speaker, and stock tubes.  The new black HRD has a Weber Texas ceramic 12â€ speaker and some crazy tubes.  He was tellin' me one of the tubes (don't know pre or post) is set up to only output like 40% of normal so you have to spin the volume knob up much higher to get volume like a normal HRD.  You know how touchy the normal ones are.  You put the volume on 1 you can't hear it, you put it on 2 and it's crankin'.  I wish they'd make the volume up/down smoother.<br><br>Anyway, if you're looking at the amp from the back at the tubes from right to left we have<br><br>1.	Sovtek KT66  (red letters)<br>2.	Sovtek KT66  (red letters)<br>3.	Electron 2AV7 (orange letters)<br>4.	Jan Phillips 5814A  (light blue letters)<br>5.	Electro Harmonics 12AX7EH  (yellow letters)<br><br>My original blonde amp has (I think) standard tubes you'd get:<br><br>1.	6T6L6B<br>2.	6T6L6B<br>3.	Fender 12AX7<br>4.	Fender 12AX7<br>5.	Fender 12AX7<br><br>I don't know what harmonica players need for playing but I don't like the sound of this amp as much as my original.  Also, I fed my original HRD out to the new HRD via an extra cable so my original amp would power the second.  It says so in the manual.  Well, the original amp was much louder even though the second amp's power section was not even being used.  Weird.  Don't get that one.<br><br>So I practiced for the hour and was at least satisfied.  At practice Friday night with No Trace I let the other guitar player plug in.  He put the 2nd overdrive channel; hit the volume to 12 and it didn't seem outrageously loud.  I figured the thing would blow up.  Thank Lord it didn't.<br><br>So I practice for about an hour and then switched to my original amp because I knew how to work it and it sounded better and louder.  Later that night I practiced with GI4 and left the new amp there permanently.  That was my intention to leave an amp at both band practices.  I thought the new amp sounded pretty good over there with GI4.  I could control the volume late at night.<br><br>This past Saturday I got a Weber Mini-Mass attenuator.  I hooked it up to the new amp and the attenuator worked pretty good.  Seems like it cut the highs down and maybe even the lows.  Still, I had the amp on the first overdrive channel and the volume up to 6 with the attenuator cutting the sound level down.  I liked the sustaining of notes but I'll have to mess with the attenuator more when I get some new tubes in the amp.<br><br>All in all, I'm just happy I have an amp to leave there on the stand ready to use.<br><br>So all this for what?  Anyone know what those tubes are doing to my new amp?  Any suggestions for tubes to put in it?<br><br> :?:]]></content:encoded>
						                            <category domain="https://guitarnoise.forum/live-sound/">Live Sound</category>                        <dc:creator>corbind</dc:creator>
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