Greetings all.
Today's offering is the Rod Stewart song "Handbags and Gladrags" that the Stereophonics so successfully covered a few years ago. Its also the theme tune to the hit comedy series here in the UK "The Office".
Key and Capo!The original is in the key of Bb which isn't the most guitar freindly of keys, so this version uses a capo at the first fret and is played in A.
Basic structure
Song is in 4/4 time so its four beats to a bar. The intro and the first two lines of the song (from "ever see a blind man" down to "make herself a bride") consist of changeing chords every two beats, followed by two lines where you hold the chord for four beats each, then returning to the changeing chords ever two beats.
ChordsA x02220
A/G 302220
D xx0232
D/F# 200232
E9sus4 00432
F#m 244222
E7 020100
B x24442 (see notes on this!)
Notes on the B chord
One thing i found with this song. Its GREAT practice for learning that pesky barred B chord. The secret is to play the A chord with suitable fingering to make the change simple, cramming your pinky, ring and middle fingers into the second fret like this -
High E - open
B string - pinky
G string - ring
D string middle
A string open
E string don't play
then, slide this shape up two frets and at the same time lay your index finger on the second fret as your barre. It helps if you concentrate on getting the index finger right up to the fret wire, and roll your finger slightly over on its side. If you can just touch the low E with the tip of your index finger to mute it, so much the better. Believe me, I am useless at barres generally, but even I can hit this cleanly 8 times out of ten now!
Give it a try.
Strum pattern / tempoBecause the song is a leisurely tempo (approx 64 beats per minute on your metronome) all sorts of things are possible here, from a straight D D dud on each chord (so for the first line you would play A (D D dud) A/G (D D dud). The timing for this stroke is like this -
D one
D and
d two
u +
d and
However a much more effective pattern (that brings out the bass notes far better) is to use the bass as your first beat like this
Bass Down dud
So a tab for the intro would look like this - A A/G D/F# E9sus4
|----0--0-0-0-----0--0-0-0-|----2--2-2-2-----2--2-2-2-|
|----2--2-2-2-----2--2-2-2-|----3--3-3-3-----3--3-3-3-|
|----2--2-2-2-----2--2-2-2-|----2--2-2-2-----4--4-4-4-|
|----2--2-2-2-----2--2-2-2-|----0--0-0-0-----0--0-0-0-|
|-0---------------0--0-0-0-|----0--0-0-0-----0--0-0-0-|
|--------------3-----------|-2------------0-----------|
D D D U D D D D U D D D D U D D D D U D
A A/G D E9sus4
|----0--0-0-0-----0--0-0-0-|----2--2-2-2-----2--2-2-2-|
|----2--2-2-2-----2--2-2-2-|----3--3-3-3-----3--3-3-3-|
|----2--2-2-2-----2--2-2-2-|----2--2-2-2-----4--4-4-4-|
|----2--2-2-2-----2--2-2-2-|----0--0-0-0-----0--0-0-0-|
|-0---------------0--0-0-0-|-0---------------0--0-0-0-|
|--------------3-----------|--------------0-----------|
D D D U D D D D U D D D D U D D D D U D
A A/G D E9sus4
|----0--0-0-0-----0--0-0-0-|----2--2-2-2-----2--2-2-2-|
|----2--2-2-2-----2--2-2-2-|----3--3-3-3-----3--3-3-3-|
|----2--2-2-2-----2--2-2-2-|----2--2-2-2-----4--4-4-4-|
|----2--2-2-2-----2--2-2-2-|----0--0-0-0-----0--0-0-0-|
|-0---------------0--0-0-0-|-0---------------0--0-0-0-|
|--------------3-----------|--------------0-----------|
D D D U D D D D U D D D D U D D D D U D
If you look at the song itself, this intro is very close to the first two lines of each verse, so us it as a model for those lines. As far as the third and fourth line is concerned, because you are holding the chords for four beats and not two, you have a lot of "space" to fill with strumming so play around with patterns. I have tried the following successfully:
Bass D Dud uud dudu
so a tab for the third and fourth lines would be something like this - F#m E
|----2--2-2-2-2--2-2--2-2-2-2-|----0--0-0-0-0--0-0--0-0-0-0-|
|----2--2-2-2-2--2-2--2-2-2-2-|----0--0-0-0-0--0-1--0-0-0-0-|
|----2--2-2-2-2--2-2--2-2-2-2-|----1--1-1-1-1--1-1--1-1-1-1-|
|----4--4-4-4-4--4-4--4-4-4-4-|----2--2-2-2-2--2-2--2-2-2-2-|
|----4--4-4-4-4--4-4--4-4-4-4-|----2--2-2-2-2--2-2--2-2-2-2-|
|-2----------------2----------|-0----------------0----------|
D D D U D U U D D U D U D D D U D U U D D U D U
A B
|----0--0-0-0-0--0-0--0-0-0-0-|----2--2-2-2-2--2-2--2-2-2-2-|
|----2--2-2-2-2--2-2--2-2-2-2-|----4--4-4-4-4--4-4--4-4-4-4-|
|----2--2-2-2-2--2-2--2-2-2-2-|----4--4-4-4-4--4-4--4-4-4-4-|
|----2--2-2-2-2--2-2--2-2-2-2-|----4--4-4-4-4--4-4--4-4-4-4-|
|-0----------------0----------|-2----------------2----------|
|-----------------------------|-----------------------------|
D D D U D U U D D U D U D D D U D U U D D U D U
however, like I say you have plenty of room to experiment. You could build a moving bass line in here, anything is possible.
Anyway that's the basic structure, just watch out for a couple of different chords as you go along. I hope you enjoy this classic song!
here's the whole thing:Handbags and gladrags. Rod Stewart / Stereophonics
Capo 1st fret. Original key Bb. 4/4 time, 64 bmp
Chords – A x02220 A/G 302220 D/F# 200232 E9sus4 000432 F#m 244222
E7 020100
Intro
A A/G / D/F# E9sus4 / A A/G / D E9sus4 / A A/G / D E9sus4
Verse one
A A/G D
Ever see a blind man cross the road….
E9sus4 A A/G D E9sus4
tryin to make the other side?
A A/G D
Ever see a young girl growin old…..
E9sus4 A A/G D E9sus4
tryin to make herself a bride?
F#m E
…..So what becomes of you my love?
A B
When they finally stripped you of the
D
Handbags and the gladrags that your
E9sus4
poor old granddad had to sweat to buy
A A/G D E9sus4 A A/G D E9sus4
you..
Verse two
A A/G D
Once I was a young man, and all I thought I
E9sus4 A A/G D E9sus4
had to do was smile..
A A/G D
Well you are still a young girl…..and you
E9sus4 A A/G D E9sus4
bought everything in style…
F#m E
So once you think you're in……you're out…'
A B
cos you don't mean a single thing without the
D
Handbags and the gladrags that your
E9sus4
poor old granddad had to sweat to buy
A A/G D E9sus4 A A/G (D E9sus4 A) E9sus4
you..
Verse three
A A/G D/F#
Sing a song of sixpence for your sake, …
E7 A A/G D E7
…and drink a bottle full of rye
A A/G D
Four and twenty blackbirds in a cake…
E9sus4 A A/G D E9sus4
..and bake them all…. in a pie
F#m E
…They told me you missed school today…….
A B
.so what I suggest you just throw them all away the
D
Handbags and the gladrags that your
E9sus4
poor old granddad had to sweat to buy
A A/G D E9sus4 A A/G
you..
D E9sus4 A A/G D/F#
E9sus4 A A/G D/F# E9sus4 A
as always, feedback and comments appreciated.
all the best
Matt
This is a great job Mattguitar. If only there were enough hours in the day to learn every song on this database :cry: alas there isn't, but I shall definitely make enough time to have a go at this after all the effort you've put in on it. :wink:
By the way I wouldn't mind having a go at it in the original key, as we have to barre the F#m and the B anyway, so may as well barre the Bb. :)
Nice job Matt :wink:
Be excellent to each other & party on dudes!
http://www.soundclick.com/bands/pagemusic.cfm?bandID=686668
Agree with Rodders - great job! One of those songs I know and play, but never seemed spot-on... definitely one to have a go or three at! Thanks Matt for yet another cool piece of work!
OK a little history/trivia....the song was written by Mike D'Abo, at the time the singer with Manfred Mann (brits of a certain, ahem, age might also remember the TV series "Whatever Happened to the likely lads" starring James Bolam and Rodney Bewes....Mike D'Abo also wrote the theme music for that...)
Anyway Manfred Mann originally recorded the song - I think it was the B-side of either "Fox on the Run" or "Mighty Quinn" but I can't be sure - I'll look it up! It was also recorded by Chris Farlowe and by the original incarnation of Fleetwood Mac - I think as the B-side of "Man Of The World," I'm pretty sure I still have that on an old vinyl 45.....OK I'm off to do some research...
:D :D :D
Vic
"Sometimes the beauty of music can help us all find strength to deal with all the curves life can throw us." (D. Hodge.)
Brilliant job Matt as always,
I love the Strereophonics version of this
Must have a go at this. Even though I still hate barre chords.
And see what I mean Vic, you are the resident pop guru!!!
Ah the Likely Lads, what ever happened to them! whatever happened to me!! What became of the people we used to be!
I blame Dierdrie Birchwood Vic, don't you! :wink: :wink:
Chris
The guitar is all right John but you'll never make a living out of it! (John Lennon's Aunt Mimi)