1e: -- 0 -- E --
2B: -- 0 -- B --
3G: -- 6 -- C# --
4D: -- 7 -- A --
5A: -- 7 -- E --
6E: -- 0 -- E --
So the notes are A, C#, E, and B.
I went to band practice tonight and the lead guy showed me this. Like an open E moved up to the 7th fret played with all the strings. He plays E open then moves to this. I don't know what to make of it but it sounds good to me. Anyone want to take a stab at naming it and commenting? He said it's and "A something," yet I don't see that for now.
"Nothing...can take the place of persistence. Talent will not; nothing is more common than unsuccessful men with talent. Genius will not; unrewarded genius is almost a proverb. Education will not; the world is full of educated derelicts."
I hope some one will come along and name this son-of-a-gun.
E: I-ii-IV-V
A: I-ii-V-vi
B: I-IV-V-viib
F#: I-iiib-IV-viib
A6add9(no3)?
A5add6add9?
I started with nothing - and I've still got most of it left.
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The note on the G string is C#, so I think its just an Aadd9/E.
By the way, move it up two frets for a nice Badd11/E. You could get a I-IV-V in E without having to lift a finger, just use the open E shape and slide it.
Well, if you can't make it, stay hard, stay hungry, stay alive, if you can, and meet me in a dream of this hard land.
It really depends on context.
If you don't play the first and second strings it's an inverted A.
If you add the open B in, then it's an Aadd9
of course depending on context, it could be a C#m7/5+
What Badlands53 said.
I'd like to add that the E shape can be moved barre less to other locations and produce a cool sounding chord.
This a useful trick to practice before tackling full barre chords, for one thing.
Useful locations include:
- the 2nd "fret", 044300, (E-C#-F#-A#,B-E) which is a sort of F#11/E.
- the "3rd fret", 055400 (E-D-G-B-B-E), which you could call a G6/E.
- the "5th fret", 077600 (E-E-A-C#-B-E) mentioned above, Aadd9/E.
- the "7th fret, 099800, (E-F#-B-D#-B-E), a Badd11/E.
- the "8th fret" 01010900, (E-G-C-E-B-E), a Cmaj7/E.
- the "10th fret" 012121100, (E-A-D-F#-B-E), a D6/9 type chord.
These "open" chords are perhaps most useful in conjunction with and as a variation on their barred twin, but moving them around can make some beautiful shimmery drones on the high B and E strings.
Check it out.
--
Helgi Briem
hbriem AT gmail DOT com
I just went back and edited my initial mistake in saying there was an F in it. Rather, as Badlands pointed out, it's really a C#.
Helgi, nice work on laying it all out. I read Nick's inverted A idea and got out my paper with all the fretboard notes (yea, I don't have them memorized yet). It is an inverted A. In fact, the fretted notes make up the tritone so that's cool to know, too.
I love it when I hear a new chord that sounds decent. I'll be using some of these variations for sure.
"Nothing...can take the place of persistence. Talent will not; nothing is more common than unsuccessful men with talent. Genius will not; unrewarded genius is almost a proverb. Education will not; the world is full of educated derelicts."
Another chord I like to use to drone the high e and b strings with is an E major like this: 076400
Well, if you can't make it, stay hard, stay hungry, stay alive, if you can, and meet me in a dream of this hard land.