From the original post I thought you wanted a Gsus2. Â From Noteboat's teachings I believe that means you can't have any B notes (the 3rd in the chord) or it's just a Gadd2. Â Therefore we could have:
G7sus2 (g-a-d-f)
1e: --1—(f)--index
2B: --X—--
3G: --2—(a)--middle
4D: --0—(d)--
5A: --0—(a)-- Â
6E: --3—(g)--ring
or a G7add2 would be easier like:
G7sus2 (g-a-b-d-f)
1e: --1—(f)--index
2B: --0—(b)--
3G: --2—(a)--middle
4D: --0—(d)--
5A: --0—(a)-- Â
6E: --3—(g)--ring
I think earlier many members were talking about G7sus4 and I came up with:
G7sus4 (g-c-d-f)
1e: --1—(f)--index
2B: --1—(c)--index
3G: --0—(g)--
4D: --0—(d)--
5A: --3—(c)--middle Â
6E: --3—(g)--ring
Now if we want just a Gadd4 it would be easier like:
G7add4 (g-b-c-d-f)
1e: --1—(f)--index
2B: --0—(b)--index
3G: --0—(g)--
4D: --0—(d)--
5A: --3—(c)--middle Â
6E: --3—(g)--ring
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Dead on, Corbind!
His original post just said G7sus... in the absence of a number, it's usually understood that it's a sus4. Sus2 chords are something I've only seen in the past few years, but they make logical sense with chord theory, I suppose.
When we start altering chords, we can come up with things that might have better names; a C7sus2 would have C-D-G-Bb. You could just as easily -- and often more properly, in harmonic terms -- call this a Gmadd11 (G-Bb-D-C) or a Bb6/9 (Bb-D-G-C). It all depends on the context of the progression.
I often find that guitar music mis-names chords harmonically, perhaps to make them easier to understand, perhaps because of transcriber ignorance or error. At any rate, G7sus2 is probably less daunting to a beginner/intermediate than Gm add 11. Just be aware that calling a chord by a different name can get in the way of understanding harmony when you're ready to study it!
Tom
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